{"id":1388,"date":"2019-07-07T00:52:11","date_gmt":"2019-07-07T03:52:11","guid":{"rendered":"http:\/\/claec.org\/ehm\/?page_id=1388"},"modified":"2019-07-07T02:06:33","modified_gmt":"2019-07-07T05:06:33","slug":"st-10-praticas-corporais-do-mundo-dancado","status":"publish","type":"page","link":"https:\/\/claec.org\/ehm\/st-10-praticas-corporais-do-mundo-dancado\/","title":{"rendered":"ST 10- Pr\u00e1ticas corporais do mundo dan\u00e7ado"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1388\" class=\"elementor elementor-1388\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4c1845b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4c1845b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-57eefb56\" data-id=\"57eefb56\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5190aee7 elementor-widget elementor-widget-text-editor\" data-id=\"5190aee7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: right;\">Dra. Maria Fonseca Falkembach (UFPEL)<\/p><p style=\"text-align: right;\">Dr. Cl\u00e1udio Baptista Carle (UFPEL)<\/p><p style=\"text-align: center;\"><strong>\u00a0<\/strong><strong>RESUMO<\/strong><\/p><p>Propomos um encontro de estudo sobre pr\u00e1ticas corporais que possa conjugar perspectivas, tais como a da antropologia da dan\u00e7a (CAMARGO, 2013), dos estudos da performance (SCHECHNER, 2003), do imagin\u00e1rio (DURAND, 1996; 2012) e dos estudos da presen\u00e7a (ICLE, 2011). Um encontro para cruzar nossas pr\u00e1ticas, cruzar perspectivas de estudo com o intuito de abrir o campo. Pensar sobre o que fazemos, sobre o que se faz, buscando desconfiar ou suspender certas categoriza\u00e7\u00f5es e conceitua\u00e7\u00f5es para que possamos escutar-nos e criar. Momento para trazer nossas refer\u00eancias bibliogr\u00e1ficas como mat\u00e9ria para ser jogada e dan\u00e7ada. O que instala um corpo que dan\u00e7a? O que \u00e9 um corpo que dan\u00e7a? O simp\u00f3sio investe tamb\u00e9m em proporcionar espa\u00e7o de dan\u00e7a, no qual seja poss\u00edvel ativar essas quest\u00f5es a partir da experi\u00eancia ef\u00eamera do corpo e viver a simultaneidade de poss\u00edveis no\u00e7\u00f5es: corpos musicais, corpos art\u00edsticos, corpos m\u00edsticos, corpos sociais, corpos pot\u00eancia, corpos saberes, corpos dan\u00e7antes. Propomos um encontro que possa discutir diferentes po\u00e9ticas, ligadas a diversos contingentes culturais. Temos interesse em tratar do fen\u00f4meno por via de uma dimens\u00e3o de conhecimento que escapa das in\u00fameras perspectivas de conceitua\u00e7\u00e3o e interpreta\u00e7\u00e3o (GUMBRECHT, 2010; BACHELARD, 1988) e, ao mesmo tempo, por via do estudo da simb\u00f3lica (Cassirer, 1968), que envolve as linguagens corp\u00f3reas m\u00edticas (Cassirer, 1992). Intencionamos estudar a dan\u00e7a como fen\u00f4meno que ocorre na intera\u00e7\u00e3o entre aquele que dan\u00e7a e aquele que observa \u2013 como sortil\u00e9gio, como manifesta\u00e7\u00e3o de entes encantados, como experi\u00eancia est\u00e9tica e po\u00e9tica, como pr\u00e1tica que se instala como momento de vida e que escapa \u00e0 descri\u00e7\u00e3o.<\/p><p><strong>Palavras-chave: <\/strong>dan\u00e7a; corpo; imagin\u00e1rio; presen\u00e7a<\/p><p style=\"text-align: center;\"><strong>Corporal practices of the danced world<\/strong><\/p><p style=\"text-align: center;\"><strong>ABSTRACT<\/strong><\/p><p>The propose of this symposium is to offer a meeting to discuss the study of corporal practices that combine different points of view, such as dance anthropology (CAMARGO, 2013), performance studies (SCHECHNER, 2003), anthropological structures of imaginary (DURAND, 1996, 2012), and presence studies (ICLE, 2011). The primary intention is to promote the exchange of practices and points of view with the aim of opening the theoretical field of dance. The meeting proposes a reflection on what we do and what people do, trying to distrust or suspend categorizations and conceptualizations in a way that we can listen to ourselves and create. The event is a strategy to bring our theoretical framework as a matter to be played and danced. What a dancing body produces? What is a dancing body? The symposium also provides space to dance, allowing reflection on these questions through dance. In other words, the ephemeral experiences of the body enable to live the simultaneity of diverse possible notions: musical bodies, artistic bodies, mystical bodies, social bodies, power bodies, and dancing bodies. We propose a meeting that can discuss different poetics, linked to various cultural contingents. We are interested in dealing with the phenomenon through a dimension of knowledge that escapes from the conceptualization and interpretation (GUMBRECHT, 2010; BACHELARD, 1988) and, at the same time, through the study of the symbolic forms (Cassirer, 1968), involving mythical corporeal languages (Cassirer, 1992). We intend to study dance as a phenomenon that occurs in the interaction between the one who dances and the one who observes. Dancing is such as sorcery, such as a manifestation of enchanted beings, as well as aesthetic and poetic experiences; a practice that establishes itself as a moment of life and that escapes description.<\/p><p><strong>\u00a0<\/strong><strong>Keyword: <\/strong>dance; body; imaginary; presence<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Dra. Maria Fonseca Falkembach (UFPEL) Dr. Cl\u00e1udio Baptista Carle (UFPEL) \u00a0RESUMO Propomos um encontro de estudo sobre pr\u00e1ticas corporais que possa conjugar perspectivas, tais como a da antropologia da dan\u00e7a (CAMARGO, 2013), dos estudos da performance (SCHECHNER, 2003), do imagin\u00e1rio (DURAND, 1996; 2012) e dos estudos da presen\u00e7a (ICLE, 2011). Um encontro para cruzar nossas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1388","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/claec.org\/ehm\/wp-json\/wp\/v2\/pages\/1388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/claec.org\/ehm\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/claec.org\/ehm\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/claec.org\/ehm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/claec.org\/ehm\/wp-json\/wp\/v2\/comments?post=1388"}],"version-history":[{"count":3,"href":"https:\/\/claec.org\/ehm\/wp-json\/wp\/v2\/pages\/1388\/revisions"}],"predecessor-version":[{"id":1451,"href":"https:\/\/claec.org\/ehm\/wp-json\/wp\/v2\/pages\/1388\/revisions\/1451"}],"wp:attachment":[{"href":"https:\/\/claec.org\/ehm\/wp-json\/wp\/v2\/media?parent=1388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}